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It was a tough chew that felt much longer than its 488 page count. While this is definitely a “f*ck you” to racist Lovecraft – bringing a racially charged portrayal of Lovecraftian ideas and monsters into a modern setting, it just wasn’t enough to combat the struggles I had sorting out the combative points of view, the overwhelming, swirling pages of “essay-style” critique, and the difficult to follow scenes of science fiction. If for nothing else, I am glad I read this for those discussions. The novel does deliver on the systemic racist conversation I was hoping for – portraying profound truths and brutal commentary on everything from police brutality, gentrification, white supremacy, xenophobia, and “all lives matter”. Chapters would often drown in tangential thoughts that were overwhelmingly distracting, in addition to supremely hard to follow sequences of science fiction violence and action. We never stay with any one character long enough to form attachment or connection. Seven different points of view (7!) warring for space amidst huge sections of information overloading left me reeling in a place of continually confounded frustration. Bring on the socio-political commentary, bring on the harsh truths, painful realities, and exposure of the systemic racism in our North American culture! B-R-I-N-G it!! Admittedly, that is a lot of pressure going into a book, but I was ready to have my socks knocked off by a literary titan. Jemisin and this is now my favourite author and favourite book of 2020.

I wanted to exclaim that I have finally read the great N.K.